{"id":4402,"date":"2021-02-04T10:47:17","date_gmt":"2021-02-04T10:47:17","guid":{"rendered":"http:\/\/staging.ibermusicas.org\/?p=4402"},"modified":"2021-02-04T10:47:17","modified_gmt":"2021-02-04T10:47:17","slug":"el-percusionista-uruguayo-daniel-tatita-marquez-culmino-su-residencia-compositiva-en-el-centro-mexicano-para-la-musica-y-las-artes-sonoras-cmmas","status":"publish","type":"post","link":"http:\/\/staging.ibermusicas.org\/index.php\/el-percusionista-uruguayo-daniel-tatita-marquez-culmino-su-residencia-compositiva-en-el-centro-mexicano-para-la-musica-y-las-artes-sonoras-cmmas\/","title":{"rendered":"El percusionista uruguayo Daniel Tatita M\u00e1rquez culmin\u00f3 su residencia compositiva en el Centro Mexicano para la M\u00fasica y las Artes Sonoras (CMMAS)"},"content":{"rendered":"<p>Tomando como punto de partido el ritmo y el tambor del Candombe, la m\u00fasica emblem\u00e1tica de su ciudad, Montevideo, Daniel Tatita M\u00e1rquez trabaj\u00f3 con robots y una amplia gama de procesos digitales para llevar adelante su ambicioso proyecto. Debido a la pandemia la residencia debi\u00f3 realizarse en modalidad virtual.<\/p>\n<p>Aqu\u00ed podemos ver y escuchar parte del resultado:<\/p>\n<p><a href=\"https:\/\/lt.dplrmail.com\/c7297fb144f99267909cdbd70ecd31c5-81868bec073b3970fa62af291f12b42d\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/lt.dplrmail.com\/c7297fb144f99267909cdbd70ecd31c5-81868bec073b3970fa62af291f12b42d&amp;source=gmail&amp;ust=1612518267988000&amp;usg=AFQjCNF_dX7kg141EnbKuvqOLNoU0UOe4A\">www.youtube.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tomando como punto de partido el ritmo y el tambor del Candombe, la m\u00fasica emblem\u00e1tica de su ciudad, Montevideo, Daniel Tatita M\u00e1rquez trabaj\u00f3 con robots y una amplia gama de procesos digitales para llevar adelante su ambicioso proyecto. Debido a la pandemia la residencia debi\u00f3 realizarse en modalidad virtual. Aqu\u00ed podemos ver y escuchar parte [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4403,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[53],"tags":[],"class_list":["post-4402","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticias-generales"],"lang":"es","translations":{"es":4402,"pt":4405},"pll_sync_post":[],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/posts\/4402","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/comments?post=4402"}],"version-history":[{"count":1,"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/posts\/4402\/revisions"}],"predecessor-version":[{"id":4404,"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/posts\/4402\/revisions\/4404"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/media\/4403"}],"wp:attachment":[{"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/media?parent=4402"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/categories?post=4402"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/tags?post=4402"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}