{"id":5417,"date":"2015-11-18T19:47:27","date_gmt":"2015-11-18T19:47:27","guid":{"rendered":"http:\/\/staging.ibermusicas.org\/?p=5417"},"modified":"2021-04-06T19:48:39","modified_gmt":"2021-04-06T19:48:39","slug":"el-maestro-joao-pedro-oliveira-ha-iniciado-su-residencia-en-el-cmmas","status":"publish","type":"post","link":"http:\/\/staging.ibermusicas.org\/index.php\/el-maestro-joao-pedro-oliveira-ha-iniciado-su-residencia-en-el-cmmas\/","title":{"rendered":"El maestro Jo\u00e3o Pedro Oliveira ha iniciado su residencia en el CMMAS"},"content":{"rendered":"<p><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;El Centro Mexicano para la M\u00fasica y las Artes Sonoras recibe al maestro Jo\u00e3o Pedro Oliveira para la creaci\u00f3n de una obra de m\u00fasica acusm\u00e1tica integrando la danza y la utilizaci\u00f3n de elementos vocales derivados de las lenguas antiguas y tradicionales de Am\u00e9rica Central y Am\u00e9rica del Sur. El proceso creativo se llevar\u00e1 adelante junto a la bailarina Rosario Moreno.&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}\">El Centro Mexicano para la M\u00fasica y las Artes Sonoras recibe al maestro Jo\u00e3o Pedro Oliveira para la creaci\u00f3n de una obra de m\u00fasica acusm\u00e1tica integrando la danza y la utilizaci\u00f3n de elementos vocales derivados de las lenguas antiguas y tradicionales de Am\u00e9rica Central y Am\u00e9rica del Sur. El proceso creativo se llevar\u00e1 adelante junto a la bailarina Rosario Moreno.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>El Centro Mexicano para la M\u00fasica y las Artes Sonoras recibe al maestro Jo\u00e3o Pedro Oliveira para la creaci\u00f3n de una obra de m\u00fasica acusm\u00e1tica integrando la danza y la utilizaci\u00f3n de elementos vocales derivados de las lenguas antiguas y tradicionales de Am\u00e9rica Central y Am\u00e9rica del Sur. El proceso creativo se llevar\u00e1 adelante junto [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5418,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[53],"tags":[],"class_list":["post-5417","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticias-generales"],"lang":"es","translations":{"es":5417},"pll_sync_post":[],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/posts\/5417","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/comments?post=5417"}],"version-history":[{"count":2,"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/posts\/5417\/revisions"}],"predecessor-version":[{"id":5420,"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/posts\/5417\/revisions\/5420"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/media\/5418"}],"wp:attachment":[{"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/media?parent=5417"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/categories?post=5417"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/tags?post=5417"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}