{"id":6904,"date":"2017-06-08T12:41:34","date_gmt":"2017-06-08T12:41:34","guid":{"rendered":"http:\/\/staging.ibermusicas.org\/?p=6904"},"modified":"2021-06-12T12:42:51","modified_gmt":"2021-06-12T12:42:51","slug":"el-compositor-mexicano-hugo-morales-murguia-inicia-la-primera-etapa-de-su-residencia-compositiva-junto-a-los-musicos-del-ensamble-neopercusion-de-espana","status":"publish","type":"post","link":"http:\/\/staging.ibermusicas.org\/index.php\/el-compositor-mexicano-hugo-morales-murguia-inicia-la-primera-etapa-de-su-residencia-compositiva-junto-a-los-musicos-del-ensamble-neopercusion-de-espana\/","title":{"rendered":"El compositor mexicano HUGO MORALES MURGU\u00cdA inicia la primera etapa de su residencia compositiva junto a los m\u00fasicos del ensamble NEOPERCUSI\u00d3N de Espa\u00f1a"},"content":{"rendered":"<p><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;A lo largo de los \u00faltimos diez a\u00f1os el trabajo como creador de HUGO MORALES MURGU\u00cdA se ha volcado a la investigaci\u00f3n de diferentes m\u00e9todos de producci\u00f3n sonora; ya sea por medio de instrumentos tradicionales, la utilizaci\u00f3n de nuevas tecnolog\u00edas, o la generaci\u00f3n de t\u00e9cnicas alternativas de instrumentaci\u00f3n. &quot;}\" data-sheets-userformat=\"{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}\">A lo largo de los \u00faltimos diez a\u00f1os el trabajo como creador de HUGO MORALES MURGU\u00cdA se ha volcado a la investigaci\u00f3n de diferentes m\u00e9todos de producci\u00f3n sonora; ya sea por medio de instrumentos tradicionales, la utilizaci\u00f3n de nuevas tecnolog\u00edas, o la generaci\u00f3n de t\u00e9cnicas alternativas de instrumentaci\u00f3n. <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A lo largo de los \u00faltimos diez a\u00f1os el trabajo como creador de HUGO MORALES MURGU\u00cdA se ha volcado a la investigaci\u00f3n de diferentes m\u00e9todos de producci\u00f3n sonora; ya sea por medio de instrumentos tradicionales, la utilizaci\u00f3n de nuevas tecnolog\u00edas, o la generaci\u00f3n de t\u00e9cnicas alternativas de instrumentaci\u00f3n.<\/p>\n","protected":false},"author":1,"featured_media":6905,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[53],"tags":[],"class_list":["post-6904","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticias-generales"],"lang":"es","translations":{"es":6904},"pll_sync_post":[],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/posts\/6904","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/comments?post=6904"}],"version-history":[{"count":1,"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/posts\/6904\/revisions"}],"predecessor-version":[{"id":6906,"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/posts\/6904\/revisions\/6906"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/media\/6905"}],"wp:attachment":[{"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/media?parent=6904"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/categories?post=6904"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/tags?post=6904"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}