{"id":6987,"date":"2017-08-05T11:00:05","date_gmt":"2017-08-05T11:00:05","guid":{"rendered":"http:\/\/staging.ibermusicas.org\/?p=6987"},"modified":"2021-06-14T11:01:19","modified_gmt":"2021-06-14T11:01:19","slug":"el-compositor-mexicano-alejandro-romero-anaya-comienza-su-residencia-compositiva-en-la-universidad-de-quilmes-de-argentina","status":"publish","type":"post","link":"http:\/\/staging.ibermusicas.org\/index.php\/el-compositor-mexicano-alejandro-romero-anaya-comienza-su-residencia-compositiva-en-la-universidad-de-quilmes-de-argentina\/","title":{"rendered":"El compositor mexicano Alejandro Romero Anaya comienza su residencia compositiva en la Universidad de Quilmes de Argentina"},"content":{"rendered":"<p><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Con el objetivo de componer una obra mixta para dueto de flautas y electr\u00f3nica con soporte fijo, dedicada al d\u00fao argentino MEI, Alejandro Romero Anaya llega a la Argentina para residir en la Licenciatura en M\u00fasica y Tecnolog\u00eda de la Universidad de Quilmes.&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}\">Con el objetivo de componer una obra mixta para dueto de flautas y electr\u00f3nica con soporte fijo, dedicada al d\u00fao argentino MEI, Alejandro Romero Anaya llega a la Argentina para residir en la Licenciatura en M\u00fasica y Tecnolog\u00eda de la Universidad de Quilmes.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Con el objetivo de componer una obra mixta para dueto de flautas y electr\u00f3nica con soporte fijo, dedicada al d\u00fao argentino MEI, Alejandro Romero Anaya llega a la Argentina para residir en la Licenciatura en M\u00fasica y Tecnolog\u00eda de la Universidad de Quilmes.<\/p>\n","protected":false},"author":1,"featured_media":6988,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[53],"tags":[],"class_list":["post-6987","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticias-generales"],"lang":"es","translations":{"es":6987},"pll_sync_post":[],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/posts\/6987","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/comments?post=6987"}],"version-history":[{"count":1,"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/posts\/6987\/revisions"}],"predecessor-version":[{"id":6989,"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/posts\/6987\/revisions\/6989"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/media\/6988"}],"wp:attachment":[{"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/media?parent=6987"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/categories?post=6987"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/tags?post=6987"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}