{"id":7530,"date":"2018-07-22T10:21:37","date_gmt":"2018-07-22T10:21:37","guid":{"rendered":"http:\/\/staging.ibermusicas.org\/?p=7530"},"modified":"2021-07-01T10:22:45","modified_gmt":"2021-07-01T10:22:45","slug":"el-conjunto-argentino-quique-sinesi-trio-comienza-su-gira-desfronteras-2018-en-santiago-de-chile","status":"publish","type":"post","link":"http:\/\/staging.ibermusicas.org\/index.php\/el-conjunto-argentino-quique-sinesi-trio-comienza-su-gira-desfronteras-2018-en-santiago-de-chile\/","title":{"rendered":"El conjunto argentino Quique Sinesi Tr\u00edo comienza su gira \u201cDesfronteras 2018\u201d en Santiago de Chile"},"content":{"rendered":"<p><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Ritmos folcl\u00f3ricos, rioplatenses, con apertura a sonoridades del mundo. Es as\u00ed como la m\u00fasica de Quique Sinesi Tr\u00edo se constituye. Sumando a la improvisaci\u00f3n como generadora de climas espont\u00e1neos y \u00fanicos, Quique Sinesi, Eliana Liuni y Horacio Cacoliris proponen un ambiente de interacci\u00f3n y m\u00fasica sutil.\\r \\r &quot;}\" data-sheets-userformat=\"{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}\">Ritmos folcl\u00f3ricos, rioplatenses, con apertura a sonoridades del mundo. Es as\u00ed como la m\u00fasica de Quique Sinesi Tr\u00edo se constituye. Sumando a la improvisaci\u00f3n como generadora de climas espont\u00e1neos y \u00fanicos, Quique Sinesi, Eliana Liuni y Horacio Cacoliris proponen un ambiente de interacci\u00f3n y m\u00fasica sutil. <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ritmos folcl\u00f3ricos, rioplatenses, con apertura a sonoridades del mundo. Es as\u00ed como la m\u00fasica de Quique Sinesi Tr\u00edo se constituye. Sumando a la improvisaci\u00f3n como generadora de climas espont\u00e1neos y \u00fanicos, Quique Sinesi, Eliana Liuni y Horacio Cacoliris proponen un ambiente de interacci\u00f3n y m\u00fasica sutil.<\/p>\n","protected":false},"author":1,"featured_media":7531,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[53],"tags":[],"class_list":["post-7530","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticias-generales"],"lang":"es","translations":{"es":7530},"pll_sync_post":[],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/posts\/7530","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/comments?post=7530"}],"version-history":[{"count":1,"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/posts\/7530\/revisions"}],"predecessor-version":[{"id":7532,"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/posts\/7530\/revisions\/7532"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/media\/7531"}],"wp:attachment":[{"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/media?parent=7530"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/categories?post=7530"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/tags?post=7530"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}