{"id":8172,"date":"2019-07-21T11:11:20","date_gmt":"2019-07-21T11:11:20","guid":{"rendered":"http:\/\/staging.ibermusicas.org\/?p=8172"},"modified":"2021-07-08T11:13:22","modified_gmt":"2021-07-08T11:13:22","slug":"el-compositor-argentino-nicolas-varchausky-comienza-su-residencia-en-el-centro-mexicano-para-la-musica-y-las-artes-sonoras-en-morelia-mexico","status":"publish","type":"post","link":"http:\/\/staging.ibermusicas.org\/index.php\/el-compositor-argentino-nicolas-varchausky-comienza-su-residencia-en-el-centro-mexicano-para-la-musica-y-las-artes-sonoras-en-morelia-mexico\/","title":{"rendered":"El compositor argentino Nicol\u00e1s Varchausky comienza su residencia en el Centro Mexicano para la M\u00fasica y las Artes Sonoras en Morelia, M\u00e9xico"},"content":{"rendered":"<p><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Durante su residencia en el CMMAS Nicol\u00e1s Varchausky dar\u00e1 continuidad a la serie Resonancias, Turbulencias y Explosiones creando 4 nuevas piezas electr\u00f3nicas breves para sonido en 3D, utilizando grabaciones de fonemas de la lengua pur\u00e9pecha. &quot;}\" data-sheets-userformat=\"{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}\">Durante su residencia en el CMMAS Nicol\u00e1s Varchausky dar\u00e1 continuidad a la serie Resonancias, Turbulencias y Explosiones creando 4 nuevas piezas electr\u00f3nicas breves para sonido en 3D, utilizando grabaciones de fonemas de la lengua pur\u00e9pecha. <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Durante su residencia en el CMMAS Nicol\u00e1s Varchausky dar\u00e1 continuidad a la serie Resonancias, Turbulencias y Explosiones creando 4 nuevas piezas electr\u00f3nicas breves para sonido en 3D, utilizando grabaciones de fonemas de la lengua pur\u00e9pecha.<\/p>\n","protected":false},"author":1,"featured_media":8173,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[53],"tags":[],"class_list":["post-8172","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticias-generales"],"lang":"es","translations":{"es":8172},"pll_sync_post":[],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/posts\/8172","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/comments?post=8172"}],"version-history":[{"count":1,"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/posts\/8172\/revisions"}],"predecessor-version":[{"id":8174,"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/posts\/8172\/revisions\/8174"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/media\/8173"}],"wp:attachment":[{"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/media?parent=8172"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/categories?post=8172"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/tags?post=8172"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}