{"id":8500,"date":"2020-03-01T03:21:26","date_gmt":"2020-03-01T03:21:26","guid":{"rendered":"http:\/\/staging.ibermusicas.org\/?p=8500"},"modified":"2021-07-14T03:22:16","modified_gmt":"2021-07-14T03:22:16","slug":"el-compositor-colombiano-leonardo-gomez-jattin-inicia-su-residencia-en-el-waza-centre-dart-de-lubumbashi-republica-democratica-del-congo-3","status":"publish","type":"post","link":"http:\/\/staging.ibermusicas.org\/index.php\/el-compositor-colombiano-leonardo-gomez-jattin-inicia-su-residencia-en-el-waza-centre-dart-de-lubumbashi-republica-democratica-del-congo-3\/","title":{"rendered":"El compositor colombiano Leonardo G\u00f3mez Jattin inicia su Residencia en el Waza, Centre d&#8217;Art de Lubumbashi, Rep\u00fablica Democr\u00e1tica del Congo"},"content":{"rendered":"<p><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;A finales de los a\u00f1os sesenta la m\u00fasica del Caribe Colombiano tuvo una de sus m\u00e1s importantes transformaciones: la m\u00fasica popular africana invadi\u00f3 los pic\u00f3s (pick up, sound systems, sonideros) que animaban las fiestas de las poblaciones afrodescendientes. &quot;}\" data-sheets-userformat=\"{&quot;2&quot;:515,&quot;3&quot;:{&quot;1&quot;:0},&quot;4&quot;:[null,2,16777215],&quot;12&quot;:0}\">A finales de los a\u00f1os sesenta la m\u00fasica del Caribe Colombiano tuvo una de sus m\u00e1s importantes transformaciones: la m\u00fasica popular africana invadi\u00f3 los pic\u00f3s (pick up, sound systems, sonideros) que animaban las fiestas de las poblaciones afrodescendientes. <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A finales de los a\u00f1os sesenta la m\u00fasica del Caribe Colombiano tuvo una de sus m\u00e1s importantes transformaciones: la m\u00fasica popular africana invadi\u00f3 los pic\u00f3s (pick up, sound systems, sonideros) que animaban las fiestas de las poblaciones afrodescendientes.<\/p>\n","protected":false},"author":1,"featured_media":8501,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[53],"tags":[],"class_list":["post-8500","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticias-generales"],"lang":"es","translations":{"es":8500},"pll_sync_post":[],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/posts\/8500","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/comments?post=8500"}],"version-history":[{"count":1,"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/posts\/8500\/revisions"}],"predecessor-version":[{"id":8502,"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/posts\/8500\/revisions\/8502"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/media\/8501"}],"wp:attachment":[{"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/media?parent=8500"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/categories?post=8500"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/staging.ibermusicas.org\/index.php\/wp-json\/wp\/v2\/tags?post=8500"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}